Throughout my career as a journalist and social documentarian, I have been committed to exposing injustices and seeking out stories overlooked by mainstream media. As my career has evolved in this space—from journalist to grassroots organizer to author—I have learned to remain curious and teachable, acknowledging that my preconceived notions of the world will not do me any good. In confronting the uncomfortable in pursuit of truth, I have uncovered systemic abuses in the criminal justice system and shed light on the harsh realities faced by incarcerated individuals.
I wrote
Reimagining the Revolution: Four Stories of Abolition, Autonomy, and Forging New Paths in the Modern Civil Rights Movement
I love Malcolm’s story because it captures the complexity of humanity. It is not just a story about his time in prison or how he became a central figure in the Civil Rights Movement; it’s about how one person can do everything. A single trait or action defines no one. We are all products of an ever-changing tapestry of experiences.
Malcolm’s story is about a life filled with challenges, mistakes, redemption, passion, and purpose, and he never holds back in its retelling. Admittedly, I grew up with a false, dichotomous understanding of Malcolm X as the violent counterpart to Martin Luther King’s nonviolent protests. But reading through this autobiography, I realized this was a profound (and likely intentional) mischaracterization by the powers that were. Malcolm was just the opposite. He was a man who loved people, and his family, and God. His autobiography is a call to look beyond the surface.
This is required reading for anyone interested in racial justice movements. I also highly recommend the audiobook narrated by Laurence Fishburne. It's next-level narration.
ONE OF TIME’S TEN MOST IMPORTANT NONFICTION BOOKS OF THE TWENTIETH CENTURY
In the searing pages of this classic autobiography, originally published in 1964, Malcolm X, the Muslim leader, firebrand, and anti-integrationist, tells the extraordinary story of his life and the growth of the Black Muslim movement. His fascinating perspective on the lies and limitations of the American Dream, and the inherent racism in a society that denies its nonwhite citizens the opportunity to dream, gives extraordinary insight into the most urgent issues of our own time. The Autobiography of Malcolm X stands as the definitive statement of a movement…
Smith offers an up-close-and-personal tour of how the history of slavery has been preserved in various corners of the Earth. From Monticello Plantation in Virginia to the House of Slaves in Gorée Island (Senegal), I was taken on an eye-opening, albeit sometimes cringeworthy, journey through modern-day perceptions of a haunted past.
For me, this retelling of history is most fascinating. It forces the reader to reckon with the idea that truth isn’t just in the eye of the beholder but in the mouth of the teller. How can we find truth in history if it is being told in so many ways? I weirdly enjoyed wrestling with it as I ventured through the places Smith visited as if his storytelling was escorting me.
ONE OF BARACK OBAMA'S FAVOURITE BOOKS OF THE YEAR A NUMBER ONE NEW YORK TIMES BESTSELLER LONGLISTED FOR THE NATIONAL BOOK AWARD FOR NON-FICTION
'A beautifully readable reminder of how much of our urgent, collective history resounds in places all around us that have been hidden in plain sight.' Afua Hirsch, author of Brit(ish)
Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks - those that are honest about the past and those that are not - which offer an intergenerational story of how slavery has been central in…
This was an instant New York Times Bestseller, something that took even people within the abolitionist movement aback. While reformist practices and progressive prosecutors were already mainstream when the book came out, abolition was not a concept that was as easy to swallow.
I think that’s where Kaba shines: Through transcribed interviews and her essays, she makes abolition understandable and seemingly attainable. Her rationality is hard to argue with, and she presents the concepts in a way that anyone can access.
"Organizing is both science and art. It is thinking through a vision, a strategy, and then figuring out who your targets are, always being concerned about power, always being concerned about how you're going to actually build power in order to be able to push your issues, in order to be able to get the target to actually move in the way that you want to."
What if social transformation and liberation isn't about waiting for someone else to come along and save us? What if ordinary people have the power to collectively free ourselves? In…
First released in 2010, Alexander’s seminal book on racial justice still impacts new generations of social activists. Her startling revelations—like the fact that there are more Black men and women under correctional control (either in jail or prison or under supervision by parole or probation departments) than were enslaved in the 1800s—are difficult to reckon with but important to consider.
The book was written after the election of America’s first Black president, Barack Obama when the idea of “colorblindness” was gaining popularity. However, as Alexander points out, the elevation of a single individual did not wipe out the extreme racial disparities that continue to exist in our society. It is a fascinating and gut-wrenching read that is as relevant today as it was 10 years ago.
Seldom does a book have the impact of Michelle Alexander's The New Jim Crow. Since it was first published in 2010, it has been cited in judicial decisions and has been adopted in campus-wide and community-wide reads; it has been the winner of numerous prizes, including the NAACP Image Award; and it has spent nearly 250 weeks on the New York Times bestseller list. Most important of all, it has spawned a whole generation of criminal justice reform activists motivated by Michelle Alexander's unforgettable argument that 'we have not ended racial caste in America; we have merely redesigned it.'
Rothstein mercilessly cuts through the political rhetoric of the past century of American politics and gets down to the nitty-gritty: Racial disparities in housing and economics were established and exacerbated by our own elected officials.
Rothstein exposes direct lines between government action and racial inequality, furthering the idea that the system isn’t broken. Rather, it works as it was designed to by allowing access to the few while neglecting the many.
Widely heralded as a "masterful" (The Washington Post) and "essential" (Slate) history of the modern American metropolis, Richard Rothstein's The Color of Law offers "the most forceful argument ever published on how federal, state, and local governments gave rise to and reinforced neighborhood segregation" (William Julius Wilson). Exploding the myth of de facto segregation arising from private prejudice or the unintended consequences of economic forces, Rothstein describes how the American government systematically imposed residential segregation: with undisguised racial zoning; public housing that purposefully segregated previously mixed communities; subsidies for builders to create whites-only suburbs; tax exemptions for institutions that enforced…
My book examines four social justice organizations vying for change in radically new ways. Many books about racial justice ask us how we got here, but this one is different. I present an inside-access look at the activists redefining where we go from here.
The book spotlights the creative solutions being designed by the people most impacted by the systems they fight to change. It is a call to action for each of us: if we can access our tools, we can dream bigger, think outside the box, and follow the paths of change-making activists toward nothing short of a revolution.
This book is set in Montauk, under looming threat from a warming climate and overdevelopment. Now outsider Clancy, a thirty-six-year-old claims adjuster scarred by his orphan childhood, has inherited an unexpected legacy: the power to decide the fate of Montauk’s last parcel of undeveloped land. Everyone in town has a stake in the outcome, among them Julienne, an environmentalist and painter fighting to save the landscape that inspires her art; Theresa, a bartender whose trailer park home is jeopardized by coastal erosion; and Molly and Billy, who are struggling to hold onto their property against pressure to sell. When Clancy…
The Stark Beauty of Last Things is set in Montauk, the far reaches of the famed Hamptons, an area under looming threat from a warming climate and overdevelopment. Now outsider Clancy, a thirty-six-year-old claims adjuster scarred by his orphan childhood, has inherited an unexpected legacy: the power to decide the fate of Montauk's last parcel of undeveloped land.
Everyone in town has a stake in the outcome, among them Julienne, an environmentalist and painter fighting to save the landscape that inspires her art; Theresa, a bartender whose trailer park home is jeopardized by coastal erosion; and Molly and Billy, who…
